At around the fifty-eighth minute, we see Brian step upon
the foot of an isolated earth-dweller. By ways of the plot, we should find
Brian the least absurd amongst society at large; and if this earth-dweller’s
character isn’t already presented as absurd in his actions, then surely a
traditional conception of one who hasn’t spoken for nineteen years would label
him as such. So which is the absurd? Or, possibly, it could be that neither of
the two are the “absurdity.” It could be that the forces driving their
interaction—the mob of worshippers—should be labeled as this perpetrator of absurdity.
I think, though, that an argument can be made for any of the three options at
hand; but, be that as it may, I don’t feel as though picking one would be best
for an analysis of the scene. Rather, in an attempt to answer my own question,
I find it proper to see the three forces as the variations of Deleuze’s “body
without organs”: cancerous, empty, and full.
The first BwO, the cancerous BwO, is the aforementioned mob,
which is in pursuit of Brian. The
cancerous BwO is caught in endless
reproduction of the self-same pattern. This, I think, is also the film’s
representation of those of blind-faith (do with this what you will in regards
to making meaning of both the blind member of the mob, and all of it’s
association with Jesus’ ability to cure). At any rate, I find this idea
perfectly summed by the man in the forefront of the mob: “I should know, I’ve
followed a few [messiahs].” With this, we have a man who has continually repeated
attempts to transcend, placing God
(used loosely) outside of himself. The empty BwO is described as catatonic; this,
then, is represented as the earth-dweller who has sat in isolation for nearly
two decades; his reality—up until this point—has existed completely within
himself (however, I’m hesitant to definitively label this character as
immanent—doing so would undermine its complexity, I think). Moving onward
though, we have Brian as the ‘full’ BwO. He acts on, and is also acted upon,
the forces at play within the whole of the system. To clarify, I see Brian as
the encapsulate of the system’s singularity. He affects and is affected by the
empty, despite its isolation; and he affects and is affected by the cancerous. He is constantly being received in various
ways—ways that are always other than which he intended. This can be explicitly
seen by the gourd/sandal debate within the mob, and also by Brian’s remark to
Judith: “that’s not what I meant at all!” (1:09:45).
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